To take effective pictures, you need to train yourself to see the
world as the camera does. The camera doesn’t have the powers of
selective observation; it won’t ignore cluttered backgrounds or
foregrounds or portray both a broad view and details in sharp
focus at the same time.

 

It can compensate for differences in the
intensity of light only in a limited way. And even the most sensitive
sensors or film won’t have the extraordinary sensitivity of our eyes.
Most important, while you see in three dimensions, the camera
can only create a flat, two-dimensional image of the subject.
There are several basic elements that make up an image – shapes,
lines, patterns, and textures – and analyse how each effects our
perception of a picture. These basic elements can be orchestrated
to express the mood or concept the photographer would like to
communicate. There are also the qualities to be considered –
intensity, direction, colour, and character – as well as its daily and
seasonal changes.

The basic mechanics of photography are easy to learn and, in
practice, will become second nature. Although I favour the more
mechanical side of things – because the technical expertise is
important – imaginative “seeing” is what separates the inspired
photographer from a merely competent one. Developing a good
eye for photography begins with simple observation of things
around you and the opportunity to see them: the way the light
plays off a curtain, the shape of a rock, or the break of a tidal
wave. Study the familiar and ordinary things you take for granted,
and you will be surprised at what they reveal to you.

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Beginning photographers especially need to remember that
seemingly unremarkable subject can make remarkable
photographs. Most important is simply being alert and continually
ready to respond to people, events, and places.